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Shannon Oksanen

Summerland



November 21, 2009 - January 18, 2009

OPENING RECEPTION: Thursday, November 20th, 6-9pm



The Contemporary Art Gallery is pleased to present a new
body of work by Shannon Oksanen, In Summerland, Oksanen
remakes the waterskiing scene from the 1965 film Viva Las Vegas.
Her 35mm film is a combination of visual estimations that
represent a moment in America when a shift in consciousness
was occurring. The film continues her interest in showmanship
sports following in the line of works such as Spins, (2002) and
Vanishing Point,(2001) that focus on figure skating and
surfboarding, using them to capture a time period, and more
specifically the ideals of an era as it is being lost or defined.
Here Oksanen uses water skiing, saturated colours,costume,
choreography and music to set back time, calling to mind an era
and defining it stylistically. She will also present a new
painting and drawing series that brings together her interest in
portraiture, celebrity and nostalgia. For this new body of work,
Oksanen chooses Elvis Presley as her subject, adding unabashedly
to the seemingly endless assemblage of images of
this pop king.
The exhibition is accompanied by an illustrated catalogue

which will be launched at the opening reception.



Oksanen has a growing international reputation and has
participated in group exhibitions at the CCA Wattis Institute
for Contemporary Art, San Francisco (2004), VTO Gallery, London,
England (2004), 303 Gallery, New York (2005)and The Charles. H.
Scott Gallery, Vancouver (2006). She is represented by
Lawrence Eng Gallery in Vancouver where she recently exhibited a
little boat adrift on the sea of life and other works including
some papier maché balloons.* Oksanen participated in There are
Those: Drawing by Six Artists at the CAG in 2006. Reviews of her
work have appeared in Artforum, New York and the Globe and Mail,
Toronto.




Presenting Sponsor for Summerland is the Audain Foundation

Adobe Systems
                                          

and also...


Artist Talk by Shannon Oksanen Thursday, December 4, 7pm at the Contemporary Art Gallery co-hosted with the Contemporary Art Society of Vancouver Our education programmes are generously sponsored by Connor, Clark & Lunn Investment Management Ltd.

as well as...

In the Windows “Keep the IS in FEMINISM” In the CAG’s street front vitrines, we will open “Keep the IS in FEMINISM” a collection of new Feminist slogans. For this project we commissioned prominent feminist artists along with emerging artists both female and male to “reinvent the “f” word: feminism,” a directive taken from the Gorilla Girls.

We would like a new round of slogans to capture a sense of urgency by inflecting the very notion of Feminism back into a contemporary conversation. It’s not only that women are under represented in politics and over represented as objects, it is that women, young and old, no longer identify themselves as feminists. Even with the best of intentions there has been a slow fading of “feminists” as we watch them slide into the history books as something that is no longer relevant. How did feminists and feminism get such a bad rap so quickly? In the last two years there has been an active looking back to feminist art practices of the 1970s. Two prominent references include the traveling block buster WACK: Art and Feminist Revolution, which is currently in Vancouver, and Frieze magazine’s 2007 feminist issue. The return of Feminist discourse to the contemporary art table is not a surprise since we do understand that the time is ripe to lay new attention on this now forty year old practice, to rejuvenate the terms of feminism to better understand what it has effectively achieved and lay out what still needs to be done. The title of the exhibition is taken from the list of slogans and is by Jeanne Randolph. Artists include: Kate Davis, Dave Dyment, Emily Vey Duke and Cooper Battersby, Myfanwy Macleod, Kelly Mark, Randy Lee Cutler, Micah Lexier, Isabelle Pauwels, Kristina Podesva, Hadley + Maxwell, FASTWüRMS, Jeanne Randolph, Martha Wilson, and Elizabeth Zvonar.

The Contemporary Art Gallery is generously supported by the Canada Council for the Arts, the City of Vancouver and the Province of BC through the BC Arts Council, the BC Gaming Policy and Enforcement Branch and the BC Arts Renaissance Fund which is administered by Vancouver Foundation. We are grateful for the support of Vancouver Foundation and our members, donors and volunteers.

Contemporary Art Gallery, 555 Nelson Street, Vancouver, BC, V6B 6R5, Canada www.contemporaryartgallery.ca. Gallery Hours: Wed. - Sun. 12 – 6 pm. Admission is free by donation.

For more information please contact: info@contemporaryartgallery.ca or 604-681-2700


Clip/Stamp/Fold 6: Response Talk with Peter Miller on Thursday, November 6, 2008, 7pm


In conjunction with Clip/Stamp/Fold 6, the Contemporary Art Gallery has invited architects, writers and publishers from the region to respond to the exhibition. Peter Miller is the third and last in a series of these respondents.

Peter Miller is the founder of Peter Miller Architectural & Design Books in Seattle, a specialized book store that has been in operation for thirty years. After earning an Education degree from Harvard Graduate School he moved west, establishing Montana Books and Montana Publishing Company in 1975. After publishing a variety of titles including Aldous Huxley's The Art of Seeing, he went on to specialize in architectural and design books. With a background as an educator focused on the architectural and design field, Peter Miller has had a far reaching influence on a generation of artists, architects and designers.

Clip/Stamp/Fold: The Radical Architecture of Little Magazines 196X-197X, is curated by internationally renowned architectural theorist Beatriz Colomina and a group of PhD students at Princeton University, School of Architecture. The exhibition takes stock of over seventy little magazines from the sixties and seventies. It has met great critical acclaim especially for remaining geographically specific to each city where it is presented. In the CAG version forty-four vintage architectural magazines were collected from Vancouver architects and artists for the 6th presentation of Clip/Stamp/Fold. The exhibition was first presented in New York at the Storefront for Art and Architecture in 2006.

Clip/Stamp/Fold 6 runs until Sunday, November 9, 2008.

The Contemporary Art Gallery is generously supported by the Canada Council for the Arts, the City of Vancouver and the Province of BC through the BC Arts Council, the BC Gaming Policy and Enforcement Branch and the BC Arts Renaissance Fund which is administered by Vancouver Foundation. We are grateful for the support of Vancouver Foundation and our members, donors and volunteers.

(This article is a forward from The Contemporary Art Gallery in Vancouver, BC)


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